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The Story of Glam

With good old Rolf Harris and his ‘Two Little Boys’ taking us into the seventies you could be mistaken for thinking, musically, things didn’t bode well for the decade but you couldn’t have been more wrong. Time’s were a changing indeed, ”out” was the need for serious debate and the search for meanings in bizarre ‘out there’ lyrics and “in” were glitter, flares and huge platform shoes, perfect for stomping.

It was time to Rock ‘n’ Roll glam style.

 

The first of the big glam bands to lead the way was Marc Bolan’s T.Rex. Having had a few singles chart in the late 60’s he finally hit the big time with “Ride a White Swan” in October 1970. It’s secret was a distorted guitar accompanied by a high string section. Unbelievably the track never actually reached the top spot, being kept out by Clive Dunn’s Granddad. This was quickly followed in 1971 by two top charters and one number two, Get it on, Hot Love and Jeepster.

Glam had arrived and it was banging it’s gong.

Meanwhile they weren’t having it all their own way, other bands were getting their act together and one particular one from Wolverhampton were going to add their own style to the proceedings. Armed with a charismatic lead singer with a real unique rocking voice they stormed the charts.

Slade were getting down and getting with it.

They were every teacher’s nightmare with their crazee song titles but us kids loved them. “Coz I luv you” went to the number one spot and stayed charted for 15 weeks.
They were a powerhouse of a band, with Noddy Holder, silver booted, wearing his tartan suits and amazing hats screaming out the lyrics, they were not to be denied, and denied they weren’t. There aren’t many who can claim ten consecutive top ten hits.

In 1972 Glam and Glitter hit the big time.

T.Rex had topped the charts with “Metal Guru”, Slade were enjoying the top spot with “Take me Bak ‘Ome” when out of nowhere came this silver clad figure singing an instrumental! Gary Glitter had taken the stage with his unique two drummer beat and made the sound his own. He took the stage like he owned it with his wild tribal chants, I can remember watching him on Top of the Pops totally mesmerized. The stomping ‘sound of glitter’ was born. He wasn’t the only one to shock either, David Bowie came into his own with Starman fully made up and wearing the loudest multi-coloured outfit I have ever seen, quickly followed by the great Alice Cooper, wearing more eye-shadow than Bett Lynch, telling us “School’s Out”. What an anthem for us kids and it was no surprise when it hit number one. While all this was happening there were other bands warming to the new movement. The Sweet were about to try to stake their claim to the throne as was Roy Wood’s Wizzard, and with leather clad Suzi Quatro undoubtably about to become the queen, who could blame the boys for trying.

What a year 1973 turned out to be. Glam had stomped it’s silver boots all over the charts right from the off with Wizzard kicking it off with ‘Ballpark Incident’ closely followed by The Sweet who had finally got their act together and released their best single ‘Blockbuster.’ This was soon followed up by Gazza’s ‘do you wanna touch?T.Rex were still getting the hits as were Slade and while they were still learning to spell more upstarts were trying to get in on the act. Suzi Quatro made her mark by borrowing the Glitter beat on two big hits “Can the Can” and “48 Crash,” Alvin Stardust was cooing his choo and Mud entered the arena with “Dyna-mite” which, incidentally, was apparently turned down by the Sweet. Not that they needed it, they were in full swing with hits like ‘Hellraiser’ and ‘Ballroom Blitz’ Steve Priest could buy all the make-up he desired. David Essex was warming to the task with hits like ‘Rock On’ which had a cool sounding guitar riff and ‘Lamplight’.


There was a fine ding-ding of a battle going on for supremacy though. Gary Glitter pulled out all the stops with his entrance to Top of the Pops with his huge motorbike for ‘ I’m the Leader of the Gang,’ which paid off as it hit the top spot along with his follow up ballad ‘I love you love,’ which is a great glam party record. Gazza had two number 2’s and two number 1’s in 1973 and you would have thought that would have been enough to take the Glam mantle but Slade were still rocking and thanks to their Christmas release sealed their place in history. With ‘Merry Xmas Everybody’ they finished the year with three number 1’s and one number 2.
The year certainly ended on an amazing high with Wizzard’s ‘I wish it could be christmas everyday’ reaching number 4, the two best christmas records songs ever recorded were in the charts together. Thinking about it, if you pick up a Christmas album I bet more than half of them are from the Glam era, what does that tell you?

Well, when you get so high the only way is down and sadly in 1974 the glitter began lose it’s sparkle. Things just started to slow down with the big guys doing some ballads. Slade’s “Everyday” and Gary’s “Remember me this way” neither managing to hit the top spots and with T.Rex’s appeal waning it was left to Mud, Sweet and The Rubettes to carry the flag.

Sweet and Mud kicked it off nicely with a double pronged attack “A teenage rampage” and “Tiger Feet” with the latter putting Les Grey’s fun rock ‘n’ rollers top of the pops.
Suzi Quatro was still carrying the stomp groove with “Devil gate drive” whilst Alvin Stardust scored his one and only number 1 ‘Jealous mind.’ David Bowie was still going with one if his better hits ‘Rebel rebel’ but it was down to The Rubettes’ ‘Sugar baby love’ to ease our angst and keep the fun going. How many of us guys tried to hit that high note at the start of the song?

At this time Sparks were another band to hit the charts with a superb record ‘This town ain’t big enough for the both of us’. These guys came right out of the blue and had a real style and, I think, should have had much more success than they did. One fuzzy haired singer and one tiny moustached, stony faced keyboard player that were the Mael brothers, never seemed to capitalize on their success but did seem to create a cult status.

There was one other band that made an appearance in 1974 that I guess I should mention, see I can be tongue in cheek too, ‘Seven seas of Rye’ was released in March and made it to number 10 in the charts. Now normally a single is released around every 3 months but it wasn’t until October that the follow up, my all time favorite, ‘Killer Queen’ was released. Queen had stepped on to the stage and Freddy had a whole new audience to camp it up to. Gary Glitter had a number one during the summer with ‘Always Yours’ but the signs were there when both Gazza and Slade released ballads later in the year. Gary with ‘Oh yes you’re beautiful” and Slade with ‘Far far away.’ It seems the stomping time was over. Christmas 73 was just too much to follow and all we had to cheer us up was David Essex’s ‘Gonna make you a star,’ an absolute cracker of a record, and The Rubettes’ ‘Juke Box Jive.’
Les Grey’s Elvis impersonation was all we had with Mud’sLonely this Christmas.’ Not quite the foot stomping Christmas of the previous year.

1975 It’s over, but someone forgot to tell a few of the guys. Gary Glitter was still trying to wring out a hit but no-one was really listening. The only record of any significance this year was Steve Harley and Cockney Rebel’s ‘Come up and see me.’ Slade the rockers had slowed down with another ballad “How does it feel” and pretty much signed off with “Thanks for the Memory” which managed to reach number 7.

So that’s that. Glam is over, but what a ride it was. The fun side of rock ‘n’ roll has never been surpassed since. I believe that was the key to it all. Unpretentious fun. All the bands back then were all out to have the time of their lives and it came through in the music they played. Totally outrageous and tongue in cheek antics, that made a generation laugh, chant and stomp to the tribal beat of Glam rock.

So to all you guys and gals.

Thanks for the memories